By Wyndham Hacket Pain The Salesman beings with what at first appears to be an earthquake. A high-rise building is at risk of collapse and those within it are escaping, fearing for their lives. The opening sequence may be an obvious visual metaphor for events to come, but brilliantly sets ...
By Linda Marric @linda_marric Tempers run high and relationships start to instantly disintegrate in Ben Parker’s claustrophobic thriller The Chamber. Set in a single location, the film offers a promising premise, but sadly falls short of bringing anything new to the horror/thriller genre. Trapped in a small submarine off the ...
By Linda Marric @linda_marric There’s one thing Catfight director Onur Tukel cannot be accused of, and that thing is lacking in originality. However you chose to read his film, one thing is for sure, this curious little production manages to pack more punches and raise more laughs than the majority ...
By Linda Marric The opening scene to Elle is perhaps one of the most shocking scenes you will encounter in recent cinema. The film opens with a brutal rape sequence which will have you ask yourself, what have I let myself in for? Directed by Paul Verhoeven and staring the ...
Wyndham Hacket Pain @WyndhamHP Outside of Akira, the odd Studio Ghibli production, and a couple episodes of Dragon Ball Z watched as a child I haven’t really seen much anime. Despite an almost constant supply of acclaimed Japanese animation these films have never quite seemed to have established the audience that many ...
By Leslie Byron Pitt There’s nothing worse than a film that goes through the motions. Even if a film is considered bad, it usually has something distinguishing about it. Something memorable. What We Become struggles with this for the simple fact that we’ve seen Zombie movies like this before, often ...
Wyndham Hacket Pain @WyndhamHP It takes some time to adjust to the accents of the characters in Trespass Against Us, not because they are difficult to understand, but because gangsters and criminals are not meant to sound like this. The rural west of England is not the traditional location for ...
By Stephen Mayne @finalreel On cursory inspection, the new film from French-Canadian wunderkind Xavier Dolan, the sixth already from a man not due to turn 28 until next month, is a distant proposition. It seems sterile and forbidding, full of stagey artifice, which is not necessarily a surprise given it’s ...
By Leslie Byron Pitt I’m sure some will consider me a philistine for my dislike for We Are the Flesh. Some may perhaps consider me a wuss. Indoctrinated on too main mainstream cinema to deal with the more shocking aspects of Emiliano Rocha Minter’s transgressive art film. It’s clear that ...