Film

Warning: Though this review is spoiler free, the film’s set-up is referenced throughout. “It’s not overselling it to say that the future of the universe is at stake,” declares Benedict Cumberbatch’s Stephen Strange with a solemn tone. He’s referring, of course, to the coming of Thanos (Josh Brolin), a galactic warlord with an unhealthy violet complexion, towering height and intimidatingly chunky chin, who supposedly wishes to bring balance to the universe by destroying half of it. The Sorcerer Supreme, however,...

The term ‘British comedy’ is not one to often conjure much hope and a genre known really for more misses than hits (for me), the latest British comedy to attempt to achieve success is the rather damp squib that is You, Me and Him. Starring actors that have been known to be excellent in other roles, admittedly on the small screen, including Lucy Punch, David Tennant and Game of Thrones alum, Faye Marsay, expectations for this tale of unexpected pregnancy...

Mental illness has, over the past few years, become more understood and easier to admit to. I’ve suffered with it myself (anxiety and depression) and know many other people who have or had their own struggles with various forms of mental illness. How movies deal with mental illness still often leaves much to be desired, and that was at least as true, if not more so, back in 1993. Benny (Aidan Quinn) and Joon (Mary Stuart Masterson) are brother and...

The nuanced ambition of Kathleen Hepburn’s 2017 TIFF entry and debut feature, Never Steady, Never Still, based on her short film of the same name, is soaked in the melancholy of quiet suffering. The film takes inspiration from Hepburn’s close personal experience with Parkinson’s disease, the director’s mother having suffered from it for the last 24 years. Centring on an Alberta based family of three, Judy (Shirley Henderson), mother to son Jamie (Théodore Pellerin), and wife to devoted husband Ed...

It is amusing to imagine if French director Claire Denis watches many of the American romantic comedies that we know all too well. Whether she does or not, her latest film, Let The Sunshine In, is a clever antidote to the clichés and indulgences that have come to define the genre. The ever reliable Juliette Binoche stars as Isabelle, a divorced artist who is looking for true love for the first time. Her performance is full of nuance and an...

If you had been watching films as they were released in 1993, there must have been a fairly jarring moment when, within days of each other, The Sandlot and This Boy’s Life were released. As we discussed last week, The Sandlot idealises and romanticises growing up in the America of the early 60s. It’s about growing up over a summer, building a group of friends and overcoming some of the common challenges of being a kid. The subject matter of...

French drama Custody (original title Jusqu'à la garde) opens with mother Miriam (Léa Drucker) and father Antoine (Denis Ménochet) arguing over Antoine's rights to see his two children. Initially there is a level of sympathy for Antoine, and an audience can question whether he is being unfairly maligned by a seemingly dislikable mother. I was also reminded of the issues of tit for tat arguments in a family court between parents, with what is the truth being a matter of...

In the couple years since Steven Spielberg professed that the western was dead, we have seen a mini revival in the genre. Whether it is The Hateful Eight, Hell or High Water, or even The Revenant a new generation of filmmakers have connected with this type of film. German director Valeska Grisebach is the latest to reimagine the genre with her third feature. Western is set in a remote rural town in Bulgaria, near the Greek boarder. There, German workers...

Sergey Loznitsa’s latest offering, A Gentle Creature, is an exercise in suffering. A gruelling odyssey that delves the depths of the human spirit, that by the film’s end leaves you coming up gasping for air. Derived from the title of a Dostoevsky short story, Loznitsa’s A Gentle Creature, which competed at last year’s Cannes Film Festival for the much coveted Palme d’Or award, is imbued with the deep pain and suffering of the Russian people. Whilst the narrative of the...