Film Review: In The Fade

Fatih Akin’s new German drama about a woman hellbent on seeking revenge after the murder of her family is a rather contrived, facile and at times overly melodramatic production that could have easily benefited from losing some schmaltz in favour of a more nuanced narrative. Staring Diane Kruger and co-written by Akin (Soul Kitchen, Goodbye Berlin) and screenwriter Hark Bohm, In The Fade presents an interesting enough premise, but sadly falls at the first hurdle by failing to come across...

Film Review: Freak Show

Billy (Alex Lawther) is a flamboyant gay kid, largely estranged from his father (Larry Pine), until he has to move for the last year of high school when his beloved mother (Bette Midler) is ‘taken ill’. In a conservative school, Billy doesn’t fit in and is at one point beaten so badly that he ends up in a coma. When Billy recovers Flip (Ian Nelson), the high school football star he has become unlikely friends with, suggests that he tone...

Film Review: Boom for Real – The Late Teenage Years of Jean-Michel Basquiat

One can’t help but feel that Sara Driver has missed an opportunity for a truly exciting and insightful documentary about one of the 20th century’s most interesting and revolutionary artists with her first film since her feature, When Pigs Fly. Although the title suggests an exploration of Jean-Michel Basquiat’s later teenage years, Driver fails to deliver.  A majority of the films modest 78-minute runtime dedicates itself to exploring the emergence and proliferation of New York’s colourful art scene circa the...

Film Review: Ocean’s 8

It would be easy to dismiss Ocean’s 8 as being little more than the cynical cash in it appears on the surface; a crass attempt to squeeze a few more bucks out of a stagnating franchise by assuming the façade of a contemporary ‘woman’s picture’. Indeed while this critic doesn’t concur with such musings, I’d be lying if I said it wasn’t in the back of my mind as I settled in to watch this soft reboot-cum-sequel to Steven Soderbergh’s...

Flashbacks to ‘93: Jurassic Park

When I was very little I wanted to be a paleontologist. By the age of 11 this had changed, because I had become obsessed with movies, but I was still very interested in dinosaurs and would pick up fossils whenever we went to a (British) beach on holiday. I had quite a collection of Ammonites. This, along with that obsession with movies I mentioned, meant that the looming release of Jurassic Park was one of the most important moments of...

Making a modern horror – an interview with ‘Hereditary’ director Ari Aster

Unless you’ve been living under a rock over the past few weeks, you would have heard countless accounts of people being terrified out of their wits by Ari Aster’s brilliant debut feature, Hereditary. Earlier this month, during the Sundance London film festival, The London Economic had a chance to chat to Ari about one of the most eagerly awaited films of the year, and the process he went through trying to make it. TLE: First of all, congratulations on such...

Film Review: A Ciambra

Three years after the release of his debut feature Mediterranea, Italian director Jonas Carpignanoreturns with his second film A Ciambra. The title refers to the region of Italy where the film is set. It is here that we find a community of Romanian gypsies who live on the periphery of society. Among them is Pio (Pio Amato), a 14 year old boy who is desperate to grow up and take part in the criminal activity that is the sole source...

Film Review: Studio 54

On April 26, 1977, Studio 54 opened its doors for the first time to crowds desperate to get the other side of the velvet ropes and past the blacked out doors that kept them out.  For many, the name undoubtedly conjures up images of whirring disco balls, celebrities and the seductive allure of debauchery.  Here, on the sweaty pit of the dance floor, crowds of Quaalude popping, disco-beat boppers welcomingly fell face forward into a world of vice and hedonism....

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