London Film Festival 2018: I Used To Be Normal: A Boyband Fangirl Story

“Did you?” asked the woman at the box office as I asked for my ticket for I Used to be Normal. I considered lying, but decided against it. “Not really”. I’ve been an obsessive fan of movies since I was 8 years old but, while some of the kinds of films I love best are (especially as a 37-year-old man) not exactly considered cool, I’ve never felt judged or that I should hide my enthusiasms. That seems to be one...

Film Review: Halloween

The Halloween franchise has taken many forms since the first film was released in 1978. In the subsequent years there have been no fewer than seven sequels, two reboots, several novels, and a series of comics. Rather than tangling itself in the franchise’s messy back catalogue, director David Gordon Green pretends that the underwhelming attempts to bring life back into the series never happened. The latest incarnation of Halloween acts as a direct sequel to the original and takes place exactly 40 years after...

London Film Festival 2018: First Look Review – Angelo

It didn’t surprise anyone who saw his first film, Michael, to discover that director Markus Schleinzer used to work with Michael Haneke. Disquietingly still and at times striking, it was a debut that felt too in thrall to another filmmaker to be more than promising. Angelo, while sharing may of the same stylistic choices, is a more distinctive work. The Angelo of the title is the ‘court moor’ to several families in Viennese society in the 18th century, and the...

London Film Festival 2018: First Look Review – Dragged Across Concrete

With his first two films, writer/director S. Craig Zahler established a distinctive voice. Working in exploitation cinema but unbound by the genre’s usual brief running times, he has stretched out his narratives, using the extra running time to dive more deeply into his characters than is typical in exploitation and to play with the genre. In Bone Tomahawk he morphed The Searchers into Cannibal Holocaust, with Brawl in Cell Block 99 he spent a good deal of time building both...

London Film Festival 2018: First Look Review – What You Gonna Do When The World’s On Fire?

“You got a couple more years to fight” 14 year old Ronaldo tells his 9 year old half brother Titus, after spending some time teaching him to punch. He wants his younger sibling to know how to fight because, he says, nobody’s going to draw on a 9 year old. It’s just one of many sobering moments in Roberto Minervini’s beautiful and evocative portrait of a black community in Louisiana in the wake of the death of Alton Sterling and...

London Film Festival 2018: First Look Review – Rafiki

I have a longstanding policy at the London Film Festival of trying to discover films from new places, so whenever the chance comes to see something from a country whose cinema is entirely new to me, I try to take it. I believe this is my first Kenyan film, but it’s also something of a first for Kenya; a film about a lesbian relationship from a country where LGBTQ relationships are still punishable by law. Initially, it was banned for...

London Film Festival 2018: First Look Review – Alone In Space

A few days ago, there was a report telling us that we have about 12 years to fundamentally change how we treat our planet, or climate change will be both irreversible and catastrophic. Alone in Space never tells us outright why the Earth was dying, meaning the giant spaceship on which we find 12 year old Gladys (Ella Rae Rappaport) and her six year old brother Keaton (Dante Fleischanderl) was built, but you could certainly fit a message about climate...

Film Review: Bad Times At The El Royale

Drew Goddard’s Bad Times At The El Royale is a gripping Tarantinoesque Nixon era crime caper in which seven strangers find themselves battling it out through a stormy night at a dilapidated, and tastelessly decorated hotel which straddles the California and Nevada border. Written by Goddard himself, the film presents an ambitious and rather inspired premise, but is ultimately let down by an aimless plot and a decidedly overlong running time. Arriving at the El Royale car park on her...

London Film Festival 2018: First Look Review U – July 22

“You’ll never understand, just listen to me” says Kaja (Andrea Berntzen), looking into the camera, at the beginning of this real time telling of the story of the Utøya massacre perpetrated by Anders Behring Breivik. Kaja isn’t talking to us but to her mother, but clearly the target of this dialogue is the audience. We arrive on the island as the teens at its political summer camp have just heard about the explosion at the Government buildings in Oslo that...

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