Cannes 2019 Review: Liberté

★★☆☆☆ Albert Serra’s Liberté (2019) is set in the years leading up to the French Revolution. Banished from the court of King Louis XVI, a band of errant aristocrats flee to Germany, hoping they will find there a haven to safely practice their libertine philosophies. Across the border, the group makes the acquaintance of Duc de Walchen, who they believe might appreciate their outré tastes and understand the rebellious inclinations which drives them to outsider status among their social set....

Cannes 2019 review: The Dead Don’t Die

★★☆☆☆ What makes Shaun of the Dead such an accomplished film is its combination of parody, comedy, and some genuinely well drawn characters. The Dead Don’t Die falls flat on all three fronts. This zombie comedy by Jim Jarmusch opened the Cannes Film Festival, but likely for its all star cast including Bill Murray, Adam Driver, Tilda Swinton and Selena Gomez to walk the red carpet. Focused on small town Centreville, USA, polar fracking has caused the earth to jolt...

Cannes 2019 Review: Litigante

★★★★☆ Presenting his second feature in the Cannes parallel programme, Semaine de la critique, Colombian director Franco Lolli focuses once more on the lives of the country’s bourgeoisie. Litigante (2019), as with his debut Gente de bien (2014), is a portrait of a family, though here it is entirely from the perspective of a terminally ill matriarch and her two adult daughters, abandoning the shared viewpoint of the first, which featured a middle-aged professional attempting to shatter class boundaries, by...

Cannes preview

A quarter of century after Pulp Fiction won the Canne's top prize, the Palme d’Or, Quentin Taratino is again showcasing the film with the most media attention. In this case it is the already controversial Once Upon A Time in Hollywood, a historical film centred around the Manson murders and starring Leonardo DiCaprio, Brad Pitt, Margot Robbie and many more. This is a different era from then, not least now this being the second Cannes film festival since former festival...

Pokemon: Detective Pikachu fails to spark

★☆☆☆☆ Pokemon is a genuine cultural phenomenon. It’s a franchise over 20 years old spanning across card and console games, TV shows, animated movies and other merchandise, grossing north of $90bn. I have never played or watched any of it before. I am certain that for fans who have followed the games, who devoured the TV show and the many movies, that Detective Pikachu - the franchise’s first official move into live action - connects with the things they have...

Beats: Pulsating rave drama

★★★★☆ The 1994 Criminal Justice Act gave police officers the power to shut down events at which music “wholly or predominantly characterised by the emission of a succession of repetitive beats” was being played, a clearly personal attack at rave culture. This fact opens Beats, and is referred to throughout the Glasgow-set 90s drama. Placing those who pursue illegal raves against the government, the film grounds itself as a pean to a youth that as ever has every right to...

The Hustle: Dirty, rotten

★☆☆☆☆ From Overboard (Rob Greenberg, 2018) to What Men Want (Adam Shankman, 2019) and everything else in between, it’s safe to say that gender switch comedy remakes have so far failed to come up with the goods in the laughter department. The latest gender flip comedy, if you can call a film with zero funny gags a comedy, is a riff on the deeply unfunny 1988 film Dirty Rotten Scoundrels and stars Anne Hathaway and Rebel Wilson as two rival...

Long Shot: Hits most targets, misses a bullseye

★★★☆☆ Charlotte Field (Charlize Theron) is the youngest US Secretary of State in history and is preparing for a Presidential run, while her numbers are positive, she needs to up her humour score and so she’s looking for a joke writer to pump up her speeches. Fred Flarsky (Seth Rogen) has just quit his job after his left-wing online news site allow themselves to be bought out by a media conglomerate owned by Parker Wembley (an unrecognisable Andy Serkis). The...

Yesterday: Boyle’s Beatles brilliance

★★★★☆ Nobody can deny that sometimes the simplest of high concept film ideas can be the most ingenious ones. In the case of Danny Boyle’s Yesterday, that idea is so obvious that you can’t help but wonder, why has nobody thought of it until now? Written by the indisputable king of British romantic comedy Richard Curtis (Four Weddings and a Funeral, Notting Hill, Love Actually), Yesterday stars BBC Eastenders’ actor Himesh Patel as a failed musician who wakes up in...

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