Written by Leslie Byron Pitt It’s still hard to imagine that there were financiers who were willing to take a chance on a horror film like Re-Animator. This is meant favourably, as the 1985 Stuart Gordon film is the type of deranged cult classic that would manipulate young minds into full blown horror hounds. Horror films like Re-Animator feel like lightening in a bottle. A perfect storm of confidence and craziness. When filmmakers throw caution to the wind and the...
Written by Leslie Byron Pitt/@Afrofilmviewer Kent Jones’s pithy and informative documentary; Hitchcock/Truffaut is released via home format, soon after film critics and viewers alike, have been in remembrance of Roger Ebert’s passing three short years ago. Hitchcock/Truffaut is also finding its way to homes not soon since the dying down of the critical mauling, fan defending theatrical release of Batman vs Superman: Dawn of Justice. The connective tissue of these three events is simply thus: Art in however it’s consumed...
Written by Ellery Nick Escaping into the Welsh wilderness, a young couple takes a wrong turn in their car and ends up nose first in a stream. As luck with have it, the crash is heard by the only man for miles around who hurries to lend a hand. But why were they fleeing? It seems the couple have some secrets and they’ve just found a stranger with a few of his own. And so Gareth Bryn, director of Hinterland,...
The first teaser trailer for David Brent: Life On The Road has been released. Thirteen years on since The Office first hit UK screens, the trailer for the film has been released, with Brent now working as a sales rep while attempting to forge a career as a singer-songwriter. Although the original office has been replaced (the original Slough building has sadly been demolished) everything about Brent's character remains the same. With an ill-fitting suit and creepy goatee, he gives a...
The first trailer of Rogue One: A Star Wars Story has been released and it's a belter. Have a watch below: Imposing threat of Iconic Death Star? Check Glimpse of terrifying AT-AT beach assault? Check. Uncanny Mon Mothma casting? Double check.
Review by Leslie Byron Pitt/@Afrofilmviewer Very much a cult curiosity, Black Mama White Mama condenses a truck load of plotting into what is effectively an exploitation chase flick. The results vary. While it’s fun to see a film which heavily influenced Quentin Tarantino, the film is so interested in stuffing itself with mobsters, corrupt cops and revolutionaries that the more interesting elements sometimes get lost. Set in an unknown exotic location (the film was shot in the Philippines), Pam Grier...
By Leslie Byron Pitt/@afrofilmviewer The French original 2008 version of Martyrs is reminiscent of the delightful internet meme: Honey Badger don’t care. It is a relentless beast of a horror film. Fully assured of its nihilism and unrepentant on who knows it. A force of nature that wasn’t for everyone, but turned those who were with it into devout followers. Now in 2016, America comes forth with a remake of Pascal Laugier brutal exercise. Feature one would liken more towards...
By Leslie Byron Pitt/@Afrofilmviewer Seth Rogan’s Christmas comedy the night before runs on a very defined “if it ain’t broke, don’t fix it” rule. This adult x-mas yarn has Rogan playing side kick (along with Anthony Mackie) to Joseph Gorden-Levitt’s Ethan, whose quest to find and enjoy New York’s dopest secret festive party, plays off very much in the way that you would expect it to. With varying results. There isn’t that much to expect and little to say about...
Review by Michael Ewins/@E_Film_Blog Over guttural bass and wobbly drum loops spill a barrage of localized sprechgesang, and from the other side of the pit, stomping boots and tributes of spit. This is what a Sleaford Mods gig sounds like - intoxicated, caustic, and very funny. But a Sleaford Mods gig is also what punk looks like in 2016, and it's not what you expect - disco lights, a laptop, and one bloke in a polo shirt flailing around as...
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