Film

Shakespeare and Quentin Tarantino will unite in a modern adaption of Macbeth. The timeless, blood-soaked tale of murder, lust and power is to get a modern movie makeover as filming takes place in Birmingham on a reworking of the tragic play that plays homage to some of director Quentin Tarantino’s best-loved films. ‘Macbeth – Kill Bill Shakespeare’ is an imaginative take on one of the world’s most famous plays, with the production staying true to the original text. However, the images...

Review by Leslie Byron Pitt/@Afrofilmviewer Son of Saul is the type of movie that has to be seen when the viewer in the right state of mind. Least they find themselves equally as trapped within the films tight compositions, as the titular Saul. A Jewish–Hungarian prisoner held within the confines of Nazi extermination camp Auschwitz, Saul Ausländer (Géza Röhrig) works at the camp as one of the infamous Sonderkommando. He aids Jews into the gas chambers, fed on lies of...

The soundtrack for David Brent's come-back movie Life on the Road has been revealed along with new single 'Lady Gypsy'. Brent and his band Foregone Conclusion have released the record which features such hits as 'Equality Street', 'Free Love Freeway' and 'Spaceman'. New tracks 'Native American' and 'Please don’t Make Fun Of The Disableds' also star on the 15-track record. The album is set to be released to coincide with a film set 15 years after the events of The Office which follows Brent, a sales...

Pop-up screens return to London again this summer with a season's-worth of flicks aired in parks around the capital. Bishops Park in Fulham, Greenwich Peninsula, Coram’s Field, Ravenscourt Park in Hammersmith, Manor House Gardens in Hither Green and East Greenwich Pleasaunce will all provide the perfect alfresco set(ting) for this summer’s screenings. This year, Pop Up Screens have also announced that they will be taking over the courtyard of the city’s historic Guildhall in EC2 for seven nights in August. This will include...

Review by Leslie Byron Pitt/@Afrofilmviewer The Q&A which occurred after the Vue Piccadilly screening of The Colony was one embossed with passion. Director Florian Gallenberger’s near stream-of-consciousness speeches flowed around the auditorium with not only a sense of humility but also a sense of anxiety. At times his voice cracked. He would not give himself time to compose and rephrase his words. He wanted to get everything he could out there. It’s understandable. Gallenberger stated that the atrocities that occurred...

Review by Leslie Byron Pitt/@Afrofilmviewer Magnus von Horn’s frosty debut feature; The Here After, has the lead; John (Ulrik Munther), looking to start anew after serving two years in prison for a violent crime. What occurred is revealed slowly in muted detail. We know enough to understand what happened, but the film never lingers fully on the crime. Indeed the film is more concerned on the aftermath and how a small community looks upon one of their own. The wide-eyed...

Review by Leslie Byron Pitt/@Afrofilmviewer It’s a good guess that the Now You See Me franchise will be the closest thing the younger set of Millennials will get to an Ocean Eleven series. They have the same amount of gloss and slick pizzazz you’d expect from something from Soderbergh's trio of films. The all-star caper aspect, a thing we seem to see less of, also makes a viewer think of Clooney, Pitt, and Co. Now You See Me 2 is...

Review by Michael McNulty John Hillcoat’s newest film, Triple 9 is a tense corrupt cop, crime thriller, with a star lineup that’s hard to rival. Sure, the plot is shakier than the camerawork on Cloverfield, packed with genre clichés, predictable plot points, and one of Kate Winslet’s most questionable performances ever, and maybe Hillcoat’s nihilistic commentary on the disintegration of trust, the pervasiveness of violence and America’s disenchantment is flat. But, put all that to one side and Triple 9...

Review by Leslie Byron Pitt/@Afrofilmviewer Burr Steers’ (Igby Goes Down) Pride and Prejudice and Zombies, much like a particular brand of wood varnish, delivers exactly what is said on the tin. This film is based on Jane Austen’s seminal novel and features the undead. A drab way to start this review. Then again, this film, despite its unique take on a 19th-century critique on status, romance and manners, doesn’t really extract as much humour and horror as it could. Much...