New Movies

It’s important for a critic to understand and to state their bias, so I should say upfront that I love the original 1977 version of Suspiria. Dario Argento’s hallucinatory masterpiece is one of the most beautiful horror films ever made, and to my mind one of the greatest. This only became clearer with last year’s stunning 4K restoration and Blu Ray release, which made the extraordinary colours leap off the screen like never before. Given my love for the film,...

The Hate U GiveFilm is a reactive medium, but because it is expensive and time consuming to make it’s also often a slow one. The Black Lives Matter movement began in 2013 but this year we seem to have seen a glut of films that feel like they are responding to that movement and the reasons it exists. The Hate U Give, based on Angie Thomas’ 2017 novel is perhaps the most direct of these films, as it spotlights how...

I’m not fond of the tendency to label any interesting new anime director as ‘the next Miyazaki’. Partly this is because I’m a far bigger fan of the Studio Ghibli films by other directors but it also just strikes me as an easy crutch, and to apply it to filmmakers who are as individual in their vision and as different from each other and Miyazaki as Makoto Shinkai (Garden of Words, Your Name) and Mirai director Mamoru Hosoda doesn’t feel...

Welcomes to a new series on TLE Film. Here, each week, our film writers will have free rein to spotlight a few of the films they've seen recently in capsule reviews. The films could be from this week, they could be from the silent era. Hopefully our week in movies can provide a varied selection of ideas for your future weeks in movies. Candyman Candyman is about many things and gory killings are mostly the vehicle for them rather than...

The Halloween franchise has taken many forms since the first film was released in 1978. In the subsequent years there have been no fewer than seven sequels, two reboots, several novels, and a series of comics. Rather than tangling itself in the franchise’s messy back catalogue, director David Gordon Green pretends that the underwhelming attempts to bring life back into the series never happened. The latest incarnation of Halloween acts as a direct sequel to the original and takes place exactly 40 years after...

Drew Goddard’s Bad Times At The El Royale is a gripping Tarantinoesque Nixon era crime caper in which seven strangers find themselves battling it out through a stormy night at a dilapidated, and tastelessly decorated hotel which straddles the California and Nevada border. Written by Goddard himself, the film presents an ambitious and rather inspired premise, but is ultimately let down by an aimless plot and a decidedly overlong running time. Arriving at the El Royale car park on her...

The opening to First Man is an intense, dizzying few minutes which you hope is a dream sequence as it cannot be real life. The sound is deafening, the rickety nature of the X15 aircraft Armstrong is flying, brought home with full force as he ascends further into the atmosphere than intended. Although we know how First Man ends this is a glimpse at how the turbulent journey started. The fervour surrounding space travel, the moon landings and astronauts is one of an idealistic heroism but here, Chazelle’s opening brings home the idea that the group of highly intelligent engineers who ascended into space were far more...

In real life Columbus, Indiana is a rather unassuming small city located in the American heart land. With a population of around 50,000 people it would be easy to overlook Columbus in favour of the larger and more recognisable cities that can be found not too far away. Academic turned filmmaker Kogonada’s debut film can at first seem a little modest but it doesn’t take long to appreciate the depth and wisdom that Columbus contains. The film centres on a friendship between Jin (John Cho), an American living in...

In Venom, Sony’s latest Marvel offering, director Ruben Fleischer and his writing team seem to have completely failed to grasp the fact that the world has moved on from the old superhero tropes of two-dimensional characters and half-baked ideas that relied too often on a lazy premise and even lazier dialogue. This shift in attitude could be attributed to a number of things, but if we’re going to be completely honest, most of it falls back on the way Disney have handled...