Dressed As A Girl : Film Review

By Emma Silverthorn @HouseOf_Gazelle Colin Rothbart’s documentary Dressed As A Girl has already been lauded as the ‘the Brit equivalent of Paris is Burning’ (Beige magazine), an accolade indeed and one that made me want to watch it immediately. Dressed As A Girl explores similar ground to Paris is Burning, showcasing as it does both the fabulous personas of its' performance artists on stage, as well as their more fragile, complex off stages lives. But the comparisons should not be...

Film Review: Good People

By Adam Turner @AdamTurnerPR Good People is a Danish director's befuddled idea of a British action/gangster thriller featuring James Franco and Kate Hudson (The Wrights). The Wrights are a cash-strapped American couple who've moved to London for a fresh start and are in the process of renovating a house, inherited from a deceased relative, when they're thrown a financial lifeline. A huge wad of money almost literally drops on their doorstep and they're faced with the 'tough' decision of whether...

Just Jim : Film Review

By Stephen Mayne @finalreel Craig Roberts was not even 20 when the lead role in Richard Ayoade’s Submarine (2010) thrust him into a very indie kind of fame. It’s that same film that runs through the spine of Just Jim, a dark coming-of-age comedy that serves as a credible, if patchy directing and writing debut for the still only 24 year old. After a sojourn in Hollywood - minor roles in 2014 comedies Bad Neighbours and 22 Jump Street -...

My Mother/Mia Madre : Film Review

By Leslie Pitt @Afrofilmviewer Nanni Moretti’s latest feature certainly feels like a personal feature. The film deals with an overworked political filmmaker (Margherita Buy), who struggles to cope with balancing her working life while the trauma of a dying matriarch lingers over both herself and her brother (Moretti). The personal elements of the film creep through not only in the film within a film aspect (which hints at the directors left leaning sensibilities in on a surface level), but with...

Lessons In Love : Film Review

By Michael McNulty From the minute Pierce Brosnan’s face appears in medium close up in the first scene and he utters the words “I’m sorry, truly, because I fucked up” it almost feels like he could be apologising to the viewer for what they are about to endure. This scene and the rest of Lessons in Love is as about as convincing as Pierce Brosnan was playing James Bond. It’s a mishmash of poorly written, averagely filmed, unconvincing scenes that...

A Girl at My Door : Film Review

By Adam Turner @AdamTurnerPR July Jung's dark drama, A Girl at My Door, explores the troubled lives of two forlorn souls living in a sleepy fishing village in South Korea. Young-nam (Doona Bae) is a dejected police academy officer who has been transferred from Seoul to Yeosu after an unexplained 'police misconduct'. Much to her surprise, she becomes a knight in shining armour to Dohee's (Kim Sae Ron), a local teenager whose life is riddled with torment and misery. In...

Bill’s Horrible History : Interview with director Richard Bracewell

By Toby Venables  @TobyVenables Bill – a new British comedy about Shakespeare’s lost years – brings the Horrible Histories crew together on the big screen for the first time, and on familiar territory. It’s already wowed audiences at the premiere at Cambridge Film Festival – but will it bring about a rock lute revival? Toby Venables talked to director Richard Bracewell. First of all, in a nutshell... In a nutshell, Bill is a comedy about Shakespeare. What Life of Brian...

Containment : Film Review

By Ben New @squareleg A man wakes up, his alarm didn’t go off. He moves to the kitchen, the taps aren’t working. A glance out the window to a neighboring block reveals someone banging at a window, calling for help. We try to leave and the door is glued shut then comes the sledgehammer whacks from one of the neighbor‘s wall, the whole time accompanied from insistent shouting from the elderly neighbor from the other. This is the very intriguing...

Cartel Land : Film Review

By Michael McNulty An intense, thrilling piece of frontline film-making. Cartel Land’s in the thick of it, run and gun, handheld cinematography is enough to enjoy on its own. The film opens in the middle of the Mexican desert in the dead of the night as a group of cartel members cook up a batch of meth. One admits, as thick white smoke swirls in the black around them, that what they are doing is wrong, but that if they...

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