New Movies

Review by Leslie Byron Pitt/@Afrofilmviewer As we are seemingly embarking on a more skeptical and paranoid, right-leaning era, it's more than a little disheartening that Trumbo pulls it's lefty punches and holds no real political relevancy. Whether this is partly due to the film being made way before the feverish excitement of Trump delirium, or the simple fact that director Jay Roach is only really interested investing in the political aspects Hollywood's golden age with the spikes removed. These are...

Review by Leslie Byron Pitt Gabriel Ripstein’s minimalist 600 Miles has a naïve, young gun runner (Kristyan Ferrer) deciding that the best thing to do with an injured ATF agent (Tim Roth) is to take him hostage. It’s a novice mistake and one that many could only see happening in the fictional world that certain crime films inhabit. That said, one thing Ripstein’s feature does well, it is illustrating just how green the young lead of the story is.  It’s...

Review by Ben New There are two basic types of proper rubbish films; ones that know they are rubbish and ones that don’t. The perfect example of the latter would be Tommy Wiseau’s The Room which, although could be described as the Kruger-Dunning effect 24 times a second, becomes almost an extra-terrestrial meditation on what a film is. I am Wrath, however, is closer to the former. It is safe to assume director Chuck Russell, whose credits include The Mask,...

Review By Michael McNulty You may find it difficult to decide how to feel about Youth, Paolo Sorrentino’s most recent cinematic offering.  Set in a luxury spa hotel in the Swiss Alps, the film has a quiet melancholy about it with an undercurrent of comedy flowing beneath the surface. Youth’s rich visuals are beautifully stylised, but the film feels indulgent and overly sentimental and lacks a forward movement that limits its emotional engagement. It’s about two old, successful friends reflecting...

Reviewed by Miranda Schiller @mirandadadada Mavis! explores the life and career of Mavis Staples, from her beginnings as a young girl performing gospel songs with her dad Pops and her siblings as the Staples Singers, through their transition to soul, some of her most important collaborations, and the ups and downs of a career in a changing musical industry. With interview footage from herself, prominent collaborators and friends, and ample concert footage, it's an engaging portrait of a never-tired singer...

Review by Ben Holliday/@bholliday Bad Neighbours 2 follows a trend of sequels that weren’t asked for nor needed but thankfully, that is where the similarities with poor 2016 comedy sequels end. The Nicholas Stoller helmed sequel is full of laughs and most surprisingly of attempts to tackle societal issues. With life having surged on since the events of the first film, Mac Radner (Seth Rogen) and wife Kelly (Rose Byrne) are preparing to sell their house and move on to...

Review by Ben Holliday X-Men: Apocalypse is the latest entry in the 16 year old franchise and marks the fourth time director Bryan Singer has helmed an X-Men picture. Unfortunately, it may be time for him to move on from the genre he helped create. The film starts off strong enough with a visceral set piece introducing us to the main villain Apocalypse (Oscar Isaac) in ancient Egypt. In fact the first half an hour or so flies by, bringing...

Review by Leslie Byron Pitt Moments after the title credits for Everybody Wants Some pop on the screen, it’s clear to many that College was never like this. But director Richard Linklater’s latest feature is the type of coming of age film that allows a few viewers to wallow into the fantasy that this college is what they wish it would be. Considered a spiritual successor to the hazy 70’s set cult hit Dazed and Confused (1993), Everybody Wants Some,...

Review by Leslie Byron Pitt Jeremy Saulnier’s stomach churning thriller; Green Room hits you with the blunt force of a dull cleaver. Its execution is brutal, it's characters timely and its tension more than palpable. Saulnier previously delved into the mundane yet murky effects of amateur revenge in his earlier feature; Blue Ruin. Here in Green Room, he mines at the often mentioned white anxieties with a similar, creepy accuracy, compacting a measurable amount of visceral thrills into a tight...