New Movies

By Linda Marric @Linda_Marric Thirteen years after the original, we finally have a sequel for Terry Zwigoff's Bad Santa.   Directed by Mark Waters, Bad Santa 2 is every bit as mean and nasty as the original. Billie Bob Thornton reprises his role as Willie, the lazy, drunk, sex obsessed petty criminal, who we now find in a suicidal state, living a wretched existence with very little prospect. Willie is called upon by his old partner in crime Marcus (Tony...

By Wyndham Hacket Pain “At that time your show was the most important show in the world,” Nas proclaims of The Strech Armstrong and Bobbito Show, which transmitted weekly between 1 am to 5 am on the college radio station WKCR. Interest in the programme reached such heights in the 1990's that there was a black market of bootlegged radio records that went across the USA and the broadcast was even referenced in the Wu-Tang Clan’s iconic song C.R.E.A.M. The...

By Linda Marric  @Linda_Marric Fresh from a very public falling out with the producers of his last project, Dying Of The Light, which he says was taken away from him, Veteran filmmaker Paul Schrader’s is back with an astonishingly bonkers new production which will confuse even some of his most fervent fans. Dog Eat Dog is an ugly nihilist piece showcasing all that is wrong with the world and featuring a group of unpleasant characters with little or no redeeming...

By Anna Power Tom Ford’s long awaited follow up to A Single Man is a tale of heartbreak and revenge on an epic scale. Opulent, toxic and devastatingly dark, Nocturnal Animals’ double narrative unfurls with the slow-drip bitterness of the broken enmeshed with Ford’s mesmerising style, underpinned with a caustic derision of wealth and meaningless materialism. Based on Austin Wright’s 1993 novel Tony and Susan, the film opens in the lavish world of art gallery owner Susan Morrow, played brilliantly...

Review by Leslie Byron Pitt/@Afrofilmviewer When Dwayne “The Rock” Johnson original left the WWE to become a movie star, it was easy to see him as a star in the same vein as Arnold Schwarzenegger: A heavyweight presence who may not have a decent set of thespian chops, and would do little else but wield large firearms with remarkable ease and walk away from explosions like the coolest guy around. Looking back at Johnson’s Career now that he’s been branded...

Review by Leslie Byron Pitt/@Afrofilmviewer It’s hard to say too much about Fight Valley. It’s very hard to say anything particularly pleasant. There’s nothing more painful for a film writer, than viewing a film that doesn’t emit any pleasure in any moment of its running time. You don’t watch a b-movie like this looking for a film that defines a generation, but you expect it to at least have a decent ass kicking. Using popular UFC stars to try and...

Review by Leslie Byron Pitt/@Afrofilmviewer Money Monster comes in at a lean 90 minutes and only flounders once or twice. Partly because it’s a film with a fair amount of moving parts. But also because it pulls a few of its punches. It becomes clear that director Jodie Foster doesn’t want to leave the audience too disheartened. The film steers away at any true cynicism about its subjects. It wishes to entertain and does so with a sufficient amount of...

Review by Leslie Byron Pitt/@Afrofilmviewer When you see the words Jane Austin Adaptation, it's hard not to think of direct Whit Stillman. In fact, it's surprising that we'd not seen a Stillman interpretation of Austin’s work until now. The writer-director’s particular brand of waspy angst, snappy quips and social mores fall pretty comfortably into Austin's work with ease. After the rather disappointing Damsels in Distress, which had the filmmaker making no real leaps from his past works. Love and Friendship;...

Review by Leslie Byron Pitt/@Afrofilmviewer A fellow writer once nailed an aspect about movies that some secretly (some not so secretly) enjoy in one sentence when in debate with an associate: “Movies are often at their most interesting when they are problematic”. Granted, this was caught by me on a social networking thread, but I feel the statement stands pretty true. When a film is spiky, or jars with a viewer in a way that’s not completely comfortable with them,...