A Monster Calls: Film Review

Wyndham Hacket Pain @WyndhamHP Having seen the film poster countless times on my way to work each day, and seeing the image of the boy next to the large tree-like monster, I couldn’t help but think that A Monster Calls was simply going to be a retelling of The BFG. Yet as the lights dimmed and the film began comparisons to Roald Dahl and other childhood favourites disappeared, as a very different monster awakened. A Monster Calls is the story...

Why Him? : Film Review

Wyndham Hacket Pain @WyndhamHP We have all tried to make a good impression before. Whether it’s a job interview, the first day of school, or meeting a significant other’s parents the prospect can be rather daunting. Why Him? is interested in the latter and follows the old family meets inappropriate boyfriend structure, but this time the premise has been updated to fall in line with today’s standards – or lack of – with crude jokes fitted in at any available...

Star Wars – Rogue One: Film Review

By Linda Marric @Linda_Marric Taking place some time in between Star Wars: Episode III - Revenge of the Sith (2005) and Star Wars: Episode IV - A New Hope (1977), the new movie in Disney’s Star Wars franchise revival is every bit as exhilarating and as thrilling as The Force Awakens. Directed by British director Gareth Edwards (Monsters 2010), Rogue One may not be a fully fledged Star Wars “episode”, but it is however packed-full of all the familiar themes...

The Eagle Huntress: Film Review

By Linda Marric @Linda_Marric Directed and produced by Otto Bell, The Eagle Huntress is a beautifully executed documentary account of how a teenage girl from a nomadic khazkh minority in Mongolia broke thorough a gender barrier upheld by hundreds of years of tradition, to become the first female to ever hunt with a bird of prey on the Altai mountains. Bell used his life savings to fund the film after coming across the story online, relying only on a few...

The Birth Of A Nation: Film Review

By Linda Marric @linda_marric Sharing the title of D.W Griffith’s 1915 racist ode to The Ku Klux Klan and white supremacy, Nate Parker’s The Birth Of A Nation’s message couldn’t be more different. The film tells the little talked about story of a slave rebellion in 1831 lead by Nat Turner, a literate preacher who was born into slavery and singled out as a child by his master’s wife to learn to read and write. As well as writing and...

Snowden: London Film Festival Review

By Anna Power @Powerpops No stranger to controversy, Oliver Stone continues his exploration of personal conflict enmeshed with the political, in his latest film Snowden. Bringing fresh perspective on Edward Snowden – the man, and his whistleblowing on covert civilian data monitoring by the NSA (National Security Agency), the film casts a paranoiac shadow over labyrinthine, secretive government operations resulting in a tense, dramatisation of events. Building on Laura Poitras Oscar winning documentary Citizenfour, the film starts at the now...

Office Christmas Party: Film Review

By Linda Marric @linda_marric Directed by Josh Gordon and Will Speck, Office Christmas Party sees the return of a pairing responsible for some of the highest-grossing comedies of the last few years. Fresh from starring in the rather disappointing sequel of Horrible Bosses, Jennifer Aniston and Jason Bateman are back for more awkward gross-out moments and silly shenanigans. Also starring in the film is TJ Miller of Silicon Valley fame, and Saturday Night Live’s Kate McKinnon. Clay (TJ Miller) manages...

Lo and Behold: Reveries Of The Connected World: DVD Review

By James McAllistair @jamesmca90 Back in the early 90s, The New Yorker printed a single-panel pasquinade drawn by Peter Steiner, which featured a computer-savvy canine sat a desk, chatting to another who listened from the floor below; “On the Internet, nobody knows you’re a dog” read the accompanying caption. Wryly indicative of the anonymity afforded to all those who surfed the web, its publication also held a wider significance – symbolically denoting society’s growing fascination and developed understanding of the internet;...

Moana: Film Review

By Linda Marric @Linda_Marric Moana is the latest big-budget holiday season animation from the team responsible for Disney’s continued renaissance. Directed by John Musker and Ron Clements, who gave us the timeless Aladdin and The Little Mermaid, this charming and engaging adventure has an empowering, life-affirming message with a subject matter that will withstand the test of time. Voiced by Hawaiian actress Auli’i Cravalho, Moana is the daughter of a Pacific Islands chieftain who goes on the quest of a...

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