Catfight: Film Review

By Linda Marric @linda_marric There’s one thing Catfight director Onur Tukel cannot be accused of, and that thing is lacking in originality. However you chose to read his film, one thing is for sure, this curious little production manages to pack more punches and raise more laughs than the majority of comedies being made in Hollywood right now. Divided into three main chapters, the film plays with ideas of femininity in a way that has seldom been depicted on screen...

Elle: Film Review

By Linda Marric The opening scene to Elle is perhaps one of the most shocking scenes you will encounter in recent cinema. The film opens with a brutal rape sequence which will have you ask yourself, what have I let myself in for? Directed by Paul Verhoeven and staring the always brilliant and majestic Isabelle Huppert, Elle is a story like no other. It isn’t so much a social commentary piece, but more of a perverse cautionary tale of intrigue...

Kong Skull Island: Film Review

By Linda Marric One minute into the credits of Kong: Skull Island and you can’t help but smile, because you know this isn’t going to be one of “those” monster films with unending battle scenes and little else. So if you were expecting a testosterone drenched blockbuster a la Michael Bay, rest assured that this is nothing of the sort. Produced by the same team who brought us Godzilla (Gareth Edwards, 2014), Kong: Skull Island not so much borrows but...

We Are X: Film Review

By Stephen Mayne @finalreel A montage near the end jumps through a diverse collection of fans explaining what heavy metal band X Japan means to them. Aside from adoration in their homeland, others from around the world express admiration, ranging from people who used their music to deal with dark emotions to an elderly woman attending her first concert since Elvis. It’s a hint of what could have been in a shallow and otherwise amiable documentary that skates through the...

Trespass Against Us: Film Review

Wyndham Hacket Pain @WyndhamHP It takes some time to adjust to the accents of the characters in Trespass Against Us, not because they are difficult to understand, but because gangsters and criminals are not meant to sound like this. The rural west of England is not the traditional location for such dramas, which are much more accustomed to bleak inner city areas. There is a strange juxtaposition between the idyllic countryside and the brutish behaviour of the Cutler family. The...

Certain Women: Film Review

By Linda Marric @linda_marric Kelly Reichardt’s films are beautifully crafted poetic pieces feature unusual stories about unusual people. By her own admission, her films are “glimpses of people passing through”. Reichardt’s painstakingly long takes and repetitive quotidian scenes are what makes her productions into masterpieces of modern cinema. The Night Moves’ director is back with another understated study of rural America with the critically acclaimed Certain Women. The film, which won Best Film at last year’s London Film Festival is...

Southern Fury: Film Review

By Stephen Mayne @finalreel It’s easy to get carried away thinking of films as art, but sometimes it’s just a job. Southern Fury highlights this point, rounding up Nicolas Cage, John Cusack and Adrien Grenier, all of whom can surely only be in this dire thriller for the paycheck. Lacking just about all the ingredients required to make something watchable; Steven C. Miller’s film has to fall back on Cage in a ridiculous wig and fake nose to find any...

Tomato Red: Film Review

By Stephen Mayne @finalreel Tomato red is almost the colour of Jamalee Merridew’s hair, and it’s the name of the Daniel Woodrell novel from which this film is adapted. Woodrell has written nine novels to date, a number of them set in the bleak forgotten lands of the Ozarks; mountainous country crossing over Missouri, Arkansas and Oklahoma. There’s clearly something cinematic about his work because two previous novels became the excellent Ride with the Devil (1999) and Winter’s Bone (2010)....

Sweet Dreams: Film Review

By Stephen Mayne @finalreel Massimo is a man who should have it all. He lives in a world of elegant apartments and swanky parties before heading out to fashion shows, football games, and war zones, the varied diet that comes with his journalism job. Yet for a man living such an interesting life, he’s not actually lived a single minute of it. Sweet Dreams is a surface deep attempt to show how childhood trauma can destabilise everything that follows. Marco...

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