Coming off a string of Daddy's Home 2, Bad Moms' Christmas and The House, a Febraury release "WASPs in a pickle" comedy was a sign of oncoming dread to me. As it happens, Game Night is unashamedly huge fun that drags the American middle-class comedy from the gutter. It's love at first sight for Max (Jason Bateman) and Annie (Rachel McAdams), their highly competitive nature bringing them together. When they can't conceive, blame is placed on Max feeling inadequate against...
It is a testament to Margot Robbie’s impressive acting talent that from the moment you set eyes on her in I, Tonya, that you instantly know that you are in a pair safe hands. Directed by Craig Gillespie (Lars and the Real Girl, United States of Tara) the film recounts the extraordinary story of how one of the most talented American figure skaters of all time suddenly found herself at the centre of one the biggest scandals to ever hit...
For many, the story of John Curry will be an unfamiliar one, but James Erskine, the director behind 2013’s Battle of the Sexes, intimate documentary, The Ice King, about the “best ice skater in the world,” is a graceful success. John Curry’s story begins like many, in his childhood, when his aspirations of becoming a ballet dancer were hobbled by his strict, working class father who refused the boy his dream to dance on the grounds that it was “unmanly.”...
Not even a compelling central performance from Ruth Wilson is enough to save Clio Barnard’s rustic, social-realist melodrama, Dark River, from being the first major cinematic upset of the 2018 calendar. Having made such a huge impact with her first two films – bracing docu-hybrid, The Arbor, and her acutely poetic follow-up feature, The Selfish Giant – Barnard has now turned her attention away from the inner-city existence, and instead settled her focus on the Britain’s pastoral hinterland; following in...
Lady Bird is a film that deals with the trials and tribulations of first love, losing your virginity, and the final year of high school in a way that is rarely seen on the big screen. Each section of the film is given its own space to breathe, and although the film sticks to its tight 93 minute running time, no scene feels rushed. The film in fact should be commended for leaving you wanting more, for making you want...
In eyes of Guillermo del Toro, ‘monster’ is a relative term. So when Richard Jenkins’ Giles, our nominal narrator, tells us that The Shape of Water is a story “of love & loss, and the monster who tried to destroy it all,” it would be unwise to assume that the antagonist he refers to is the piscine humanoid at the heart of this otherworldly fable. The latest offering from del Toro’s beloved cabinet of curiosities, The Shape of Water is...
“Just because something works, doesn’t mean it cannot be improved,” we’re told early on in Ryan Coogler’s courageous new entry into the Marvel canon. Loyal fans who have stuck with the series since the first Iron Man will no doubt be relieved to hear that this exhilarating blockbuster yarn doesn’t deviate too far from the studio’s winning formula, but it is those whose voices are callously sidelined so often in such big-budget fare, and crucially given such definition here, who...
Ryan Gosling, Harrison Ford, Sylvia Hoeks and Ana de Armas all in attendance at the Corinthia Hotel, London as the much anticipated Blade Runner 2049 is about to be released. Ryan Gosling at the photo call for Blade Runner 2049. Court Room, Corinthia Hotel, Whitehall Place, Westminster, London 21 September 2017 Harrison Ford and Ryan Gosling at the photo call for Blade Runner 2049. Court Room, Corinthia Hotel, Whitehall Place, Westminster, London 21 September 2017 Harrison Ford at the photo...
By Jim Mackney Hotel Salvation (Mukti Bhawan) is an allegorical film that deals with life, death, shame, and friendship. It is the first film by director, Shubhashish Bhutiani and despite the film’s small budget the piece uses this to its advantage by creating a film with a slow ambient rhythm, allowing the films bigger questions to be explored at their own pace. The film follows septuagenarian Daya (Lalit Behl) and his family, creating a sense of intimacy that is far...
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