Film Reviews

Reviewed by Miranda Schiller @mirandadadada When writer/director David Thorpe is dumped by his boyfriend and finds himself single and in his forties, he realises something: He hates the way his voice sounds – and the voices of most gay men around him. So he goes on a quest to find out what the stereotypical “gay voice” is, why so many men adopt it, and how to either lose it or accept it. His interviewees range from speech therapists and linguists...

By Stephen Mayne @finalreel  Angry, petulant, charismatic, committed, sulky, lazy, brooding, sexy, raw, difficult, charming, idealistic, thoughtful, devastating, intelligent and difficult again. Millions of words have been written about Marlon Brando and yet he remains an enigma, hidden away beneath moments of flamboyant outrage and unforgettable performances. Attempting to add more words to the picture would likely lead to little in the way of results - unless they come from the man directly. Making use of unguarded recordings mixed in...

By Stephen Mayne @finalreel In the latter half of the twentieth century, the US and the Soviet Union fought a battle for ideological supremacy. A crude and particularly western view of the conflict saw it as a straight fight between the forces of freedom and creative enterprise against a brutally rigid system of oppression. Even taking that bombastic brand of propaganda at face value, the argument doesn’t exactly apply in the world of men’s Ice Hockey. On this frozen field...

By Leslie Byron Pitt @Afrofilmviewer Karyn Kusama’s The Invitation would play well in a dining room disaster triple bill with last year’s dining room sci-fi Coherence (2014) and Hitchcock’s Rope (1948). It’s a deceptive film, which at its surface presents itself as a conventional B movie thriller in its own right. Yet Kusama (Jennifer’s Body) is not one to play along with typical formality. While The Invitation is best viewed with little to no background knowledge about its story, it...

By Leslie Byron Pitt @Afrofilmviewer Despite showing up in films such as A Most Violent Year (2014) and Martha Marcy May Marlene (2011), Christopher Abbott is still probably best known for his two year stint as the sensitive Charlie in Lena Dunham’s Girls. Abbott sheds this cleaner cut image he’s most connected with, to become the heavy drinking, aggressive and self-destructive James White in the film that bares the character’s name. We enter James’ life in the eye of a...

By Leslie Byron Pitt @Afrofilmviewer He Named Me Malala details the life of Pakistani female activist and Nobel Peace Prize laureate Malala Yousafzai. The film juxtaposes Yousafzai’s strong family bonds and elevated celebrity status, with the tragic events which left her permanently wounded by Taliban gunmen and led her on the path to her current activism. Both humorous and humane with its observations, this polished documentary may serve to be a neat historical footnote for liberal head-nodders who agree with...

By Adam Turner @AdamTurnerPR Good People is a Danish director's befuddled idea of a British action/gangster thriller featuring James Franco and Kate Hudson (The Wrights). The Wrights are a cash-strapped American couple who've moved to London for a fresh start and are in the process of renovating a house, inherited from a deceased relative, when they're thrown a financial lifeline. A huge wad of money almost literally drops on their doorstep and they're faced with the 'tough' decision of whether...

By Stephen Mayne @finalreel Craig Roberts was not even 20 when the lead role in Richard Ayoade’s Submarine (2010) thrust him into a very indie kind of fame. It’s that same film that runs through the spine of Just Jim, a dark coming-of-age comedy that serves as a credible, if patchy directing and writing debut for the still only 24 year old. After a sojourn in Hollywood - minor roles in 2014 comedies Bad Neighbours and 22 Jump Street -...

By Leslie Pitt @Afrofilmviewer Nanni Moretti’s latest feature certainly feels like a personal feature. The film deals with an overworked political filmmaker (Margherita Buy), who struggles to cope with balancing her working life while the trauma of a dying matriarch lingers over both herself and her brother (Moretti). The personal elements of the film creep through not only in the film within a film aspect (which hints at the directors left leaning sensibilities in on a surface level), but with...