Film Reviews

Review by Leslie Byron Pitt The often main theme that is heard at the beginning and end of The Trust, is a welcoming and funky track but it does little to perk up the bland existence of this laborious heist film. The Trust opens with one of its main characters; David Waters (Elijah Wood) in the middle of an act toneless, vapid intercourse with a faceless prostitute. It’s a moment that is meant to suggest the disengagement the character feels...

Star Trek was in dire need of a reboot as book office returns dwindled with each new outing and in 2009 JJ Abrams did an admirable job bringing the series back to the forefront for a new generation. Sure, die hard Trekkies were frustrated at the lack of the philosophical edge the series was known for but the balance of action and comedy made the series relevant once more. After the middling Into Darkness, Abrams left to direct a small...

Review by Leslie Byron Pitt Highlander is another one of those films that a generation of people swear don’t get made anymore, despite the fact the distribution of such quirky films has been altered and that brand awareness and fandom have helped smooth out the rougher edges of more fantastical, commercial filmmaking. Through the jaded eyes of a younger viewer, it’s easy to pick the flaws of a feature such as Highlander. It’s an inherently silly film with a clear...

Review by Leslie Byron Pitt Deniz Gamze Ergüven's expressive tale of female empowerment is as emotive as it is relevant. It communicates its simple tale with an understated eloquence, never feeling sentimental or forced. The film location and religious culture may feel miles away, but it's sensibilities are universal. From a narrative point of view, comparisons to Sophia Coppola's hazy The Virgin Suicide are apparent. However, from a thematic point of view, Mustang holds similarities to Rama Burshtein's detailed but...

Review by Leslie Byron Pitt This film broke me. Perhaps it was the all too real nods to customer services. The seminars, the platitudes and the like. It might have been the brilliant chemistry between the cast. The voices of David Thewlis and Jenifer Jason Leigh provide a spark so strong that it made me realise just how much that's missing from romances and dramas. Maybe those things helped. However, upon thinking about it, I feel it may have been...

Review by Leslie Byron Pitt “Why are these people, friends?” Is the type of question you could find yourself asking when observing Alex Ross Perry’s quietly startling Queen of Earth. And rightly so. The film froths with a near overbearing deep-seated resentment which could make the psycho-biddies of the sixties flinch. However, despite the trading of venom that is applied between the film’s two lead female stars, the co-dependency the flitters around the couple is something that holds an acute...

Review by Ben Holliday/@bholliday No film in recent history has had as many hurdles to overcome before paying punters get a chance to see the final product on the big screen. Be it a horrendous marketing campaign or a fanatical anti-Ghostbuster contingent in opposition to the all female cast, the Paul Feig directed flick has found itself in an odd position. For a vocal minority, this reboot would have to be the second coming of Citizen Kane to secure their...

Review by Leslie Byron Pitt/@Afrofilmviewer Son of Saul is the type of movie that has to be seen when the viewer in the right state of mind. Least they find themselves equally as trapped within the films tight compositions, as the titular Saul. A Jewish–Hungarian prisoner held within the confines of Nazi extermination camp Auschwitz, Saul Ausländer (Géza Röhrig) works at the camp as one of the infamous Sonderkommando. He aids Jews into the gas chambers, fed on lies of...

Review by Leslie Byron Pitt/@Afrofilmviewer The Q&A which occurred after the Vue Piccadilly screening of The Colony was one embossed with passion. Director Florian Gallenberger’s near stream-of-consciousness speeches flowed around the auditorium with not only a sense of humility but also a sense of anxiety. At times his voice cracked. He would not give himself time to compose and rephrase his words. He wanted to get everything he could out there. It’s understandable. Gallenberger stated that the atrocities that occurred...