Film Reviews

By Wyndham Hackett Pain It would all too easy to think of The Wailing as the South Korean version of The Exorcist. There is a lot the two films share in common: an uneasy tone, a worried family, a young child possessed by the devil. Yet The Waling is much darker, more unsettling, and stranger than the 1973 classic which shocked audiences with its depictions of the horrors and evil that could beset American suburbia. Set in a small rural...

By Linda Marric @Linda_Marric Thirteen years after the original, we finally have a sequel for Terry Zwigoff's Bad Santa.   Directed by Mark Waters, Bad Santa 2 is every bit as mean and nasty as the original. Billie Bob Thornton reprises his role as Willie, the lazy, drunk, sex obsessed petty criminal, who we now find in a suicidal state, living a wretched existence with very little prospect. Willie is called upon by his old partner in crime Marcus (Tony...

By Wyndham Hacket Pain “At that time your show was the most important show in the world,” Nas proclaims of The Strech Armstrong and Bobbito Show, which transmitted weekly between 1 am to 5 am on the college radio station WKCR. Interest in the programme reached such heights in the 1990's that there was a black market of bootlegged radio records that went across the USA and the broadcast was even referenced in the Wu-Tang Clan’s iconic song C.R.E.A.M. The...

By Linda Marric @Linda_Marric Fresh from the highly acclaimed Love Is Strange, Ira Sachs is back with a new production which deals with similar themes of New York real Estate and its devastating effects on human relations. Little Men tells the story of how the gentrification of a formally working class neighbourhood scuppers the burgeoning friendship between two adolescent boys who’s families become embroiled in a bitter rent dispute. Sensitive, introvert Jake (Theo Taplitz) and son of latin American immigrants...

By Anna Power Tom Ford’s long awaited follow up to A Single Man is a tale of heartbreak and revenge on an epic scale. Opulent, toxic and devastatingly dark, Nocturnal Animals’ double narrative unfurls with the slow-drip bitterness of the broken enmeshed with Ford’s mesmerising style, underpinned with a caustic derision of wealth and meaningless materialism. Based on Austin Wright’s 1993 novel Tony and Susan, the film opens in the lavish world of art gallery owner Susan Morrow, played brilliantly...

Review by Leslie Byron Pitt/@Afrofilmviewer When Dwayne “The Rock” Johnson original left the WWE to become a movie star, it was easy to see him as a star in the same vein as Arnold Schwarzenegger: A heavyweight presence who may not have a decent set of thespian chops, and would do little else but wield large firearms with remarkable ease and walk away from explosions like the coolest guy around. Looking back at Johnson’s Career now that he’s been branded...

By Anna Power Based on the graphic novel by Raymond Briggs, Ethel and Ernest is a love song to his parents, to working class values and to a uniquely English way of life that belonged to a time now gone forever. Touching and deeply personal, the film follows the couple through their courtship in the 1920’s to their deaths in the 1970’s, with a backdrop of the tumultuous and rapidly transmogrifying twentieth century piercing through their suburban ebb and flow...

By Leslie Byron Pitt/@Afrofilmviewer A recreational documentary in a similar vein to The Arbour (2010) or Dreams of a Life (2011), Notes on Blindness details us of the grand upheaval taken of famed academic John Hull as he loses his sight days after the birth of his first son. Directors James Spinney, Peter Middleton carefully craft a delicate series of vignettes in which we are informed of Hull’s frank dealings with losing his sight. We trace Hull recruiting a team...

No stranger to controversy, Oliver Stone continues his exploration of personal conflict enmeshed with the political, in his latest film Snowden. Bringing fresh perspective on Edward Snowden - the man, and his whistleblowing on covert civilian data monitoring by the NSA (National Security Agency), the film casts a paranoiac shadow over labyrinthine, secretive government operations resulting in a tense, dramatisation of events. Building on Laura Poitras Oscar winning documentary Citizenfour, the film starts at the now infamous rendezvous at the...