Dunkirk Review – A master class in the art of ‘show it, don’t say it’

Dunkirk is almost a silent film. Dunkirk is a film that is a master class in the art of ‘show it, don’t say it’. Dunkirk, demands that you feel like you are on the front line with the soldiers. The audience is used as another stranded Tommy on the beach, forming an orderly queue, waiting to be rescued. Dunkirk is an unapologetically British film. There isn’t an ancillary, and unnecessary, tale of love and romance to "cheer up", and degrade...

Free Fire: Film Review

A group of shady individuals accumulate in an abandoned Boston warehouse to size up and complete an arms deal. However, when some bad blood infiltrates the proceedings, the deal swiftly falls south, and the guns which were going to be used for other nefarious purposes are now being utilised a little earlier than expected. That’s it. Looking for anything else? You’re in the wrong place. Free Fire isn’t a film of complexity. There’s not that much to it. But there’s...

The Death of Louis XIV: Film Review

Those who have been charmed by the wily confidence of George Blagden’s libidinous King Louis XIV in Versailles may find themselves taken aback by Jean-Pierre Léaud’s frail and reclusive incarnation of the Sun King, whom we are introduced to at the start of The Death of Louis XIV: Albert Serra’s solemn chronicle of the monarch’s final days. The palace of Versailles is no longer the buzzing hive of royal intrigue it once was, but an eerily quiet fortress from where...

David Lynch: The Art Life: Doc Review

Wyndham Hacket Pain @WyndhamHP David Lynch is one of film’s most striking and unique directors. In the 40 years since his debut feature Eraserhead he has created some of the most singular works in modern American film. It is therefore a real challenge for a documentary about such a figure to live up to the person they are trying to depict. It is a pleasure then to say that David Lynch: The Art Life, the latest documentary about him, tries...

The Last Word: Film Review

By Anna Power An intergenerational female friendship flick with some nice ideas at its core but like so many others panders to schmaltz in its execution, though not unenjoyably so. Octogenarian Harriet Lauler (Shirley MacLaine) lives a loveless life. Her days roll on relentlessly; her pristine home a prison of sorts and you get a disturbing sense of the vacuum around her routine of lonely meals and frustrated gazing out the window over lengthy lawns at life. Filling the void...

Song To Song: Film Review

Terrence Malick has seemingly become so committed to his own self-aggrandising brand of philosophically indulgent, freeform filmmaking that one could arguably be justified in calling him the Michael Bay of arthouse auteurism. Granted, it’s impossible not to be intrigued by the output of a director who’s driven solely by his own artistic vision, but contrary to popular belief, Malick is not some sort of celestial, cinematic being: his earlier works – Badlands and The Thin Red Lines – may have...

Midwife: Film Review

Wyndham Hacket Pain @WyndhamHP At a time in the year when the cinemas are filled with action blockbusters and superhero franchises it can be easy to overlook films about the seemingly mundane and every day. There is a wonderful humility to The Midwife that has no pretensions and just aims to bring life to a seemingly unremarkable story. Set in Paris, the film follows single mother and midwife Claire (Catherine Frot) who lives a lonely existence in the city’s suburbs....

Baby Driver: Film Review

Invigorated with a refreshingly ebullient zeal, the films of Edgar Wright have never been known to suppress their influences. His feature debut – A Fistful of Fingers, “the greatest western ever made… in Somerset” – was dedicated to Sergio Leone, amongst others, and delighted in imitating the gritty, sun-scorched design of the Dollars trilogy. Likewise, his highly lauded Cornetto series – Shaun of the Dead, Hot Fuzz and The World’s End – took great joy in toying with the tropes...

Risk: Film Review

By Linda Marric Director Laura Poitras (Citizenfour, 2014) spent 6 arduous and paranoia-filled years documenting the life of one of the most controversial figures in recent times. In Risk, Academy Awards winner Poitras offers a fascinating character study of Wikileaks founder Julian Assange, and charters in a very detailed fashion his rise from revered freedom of information hero, to maligned villain hiding in a foreign embassy to escape a sexual offence investigation. Risk is a complex yet thoroughly accessible piece...

Page 54 of 78 1 53 54 55 78
-->