Everything Everything: Film Review

By Anna Power There’s no doubt that this best-selling teen romance novel now brought to the screen is a film of two distinct halves. The first is a very pleasant teen love story, which charms and captivates, the second sees the onset of a plot about to take a nose dive into territory that’s a whole lot tougher to swallow - no matter how hard you try. They say that a spoonful of sugar helps the medicine go down and...

Dark Night: Film Review

The Century 16 massacre of 2012, where a lone gunman, James Holmes, entered a packed cinema auditorium in Aurora, Colorado during a midnight screening of The Dark Knight Rises and began shooting – leaving 12 people dead and another 70 injured – forms the stimulus from which indie writer/director Tim Sutton soulfully sketches a portrait of suburban malaise in this hauntingly existential examination of contemporary America. It’s best to ignore the blunt tactlessness of the title; Sutton’s manner is measured...

Final Portrait: Film Review

By James Mackney Films about artists and the process of creating art, especially portraiture, can be a risky prospect. There is a fine line between creating an engaging piece of cinema and with that of making the audience feel like they too are sitting in the subject’s chair for hours on end. Stanley Tucci has created a chamber piece, focusing on one of the final works of Swiss-Italian artist, Alberto Giacometti (Geoffrey Rush). The subject of the artist’s final portrait...

The Odyssey: Film Review

Wyndham Hacket Pain @WyndhamHP For all our dreams of packing our bags and travelling around the world for the most part they remain just that – dreams. Of course we have friends who have gone to exotic countries on their gap years, or who have had a holiday of a life time but before long they have returned to their normal lives. To seemingly abandon everything and set out on your own odyssey seems to be all but an impossibility....

Terminator 2: Judgement Day 3D – Film Review

Wyndham Hacket Pain @WyndhamHP A lot has changed since Terminator 2 was first in cinemas. The channel tunnel opened, Friends had its first and last episode, James Cameron went on to make the two highest grossing films of all time, and Arnold Schwarzenegger was elected as Governor of California twice. With every re-release it’s natural to wonder if the film will have the same effect all those years later and this is no exception. Set in 1995, Terminator 2 follows...

Spider-Man: Homecoming Review

By James Mackney Spider-Man: Homecoming signals the second attempt by Sony Pictures to re-boot the Spiderman franchise in 15 years. I admit to feeing somewhat exhausted by the franchise, having seen all bar one of the Spider-Man films, and this latest instalment in the line-up left me cold and frustrated. Spider-Man: Homecoming has attempted to be a Superhero film as if it were directed by John Hughes. Sadly, there is none of the playfulness of The Breakfast Club nor is...

A Ghost Story: Film Review

Wyndham Hacket Pain @WyndhamHP A Ghost Story follows Casey Affleck, an independent musician, and his wife Rooney Mara who live together in a small suburban house. They have an ordinary life and are a very normal couple until one day Affleck is killed in a car crash outside their home. While lying dead in hospital Affleck rises from a clinic bed and walks out underneath a bed sheet. After Mara moves out of the house, the ghost is left to...

Williams: Film Review

By Wyndham Hacket Pain It may seem unfair to compare every new racing documentary to Asif Kapadia’s Senna, but since its 2011 release there have been a number of films that have covered the sport. Rush, Lauda: The Untold Story, 1, and Senna vs Brundle have all to a certain degree tried to recapture both the heart-pounding thrills and emotion of Kapadia’s film. The latest Formula One documentary Williams does cover a similar subject area but instead focuses on a...

The Ghoul: Film Review

By Michael McNulty Gareth Tunley’s debut feature, The Ghoul, is a brooding, atmospheric psychological thriller. Blending a dreamlike, occult narrative with suburban noir, Tunely, a Ben Wheatley regular, has made a film that feels part Kill List, with a smattering of Taxi Driver and a Lynch-ian twist. Chris (Tom Meeten), a homicide detective, is called down to London to investigate a mysterious double murder. The two killed are said, by forensic experts, to have continued to approach their killer after...

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