Forgotten Film Friday: Tampopo

Dubbed a “ramen western,” Tampopo shares the narrative skeleton of, you guessed, a western. Substitute gun slinging for noodle kneading and you’ve taken a step towards the flavour of Jûzô Itami’s film. But, like a steaming bowl of noodle soup, Tampopo is a film for the soul packed with the kind of hearty warmth that you want to take a bath in. Tampopo (Nobuko Miyamoto) is a single mum who, after the death of her husband, has taken over his...

Film Review: The Prince of Nothingwood

By Michael McNulty Put down the red carpet and welcome onto the world stage, Afghanistan’s man of the hour, or so he’d have you believe.  Sitting at the centre of Sonia Kronlund’s charming documentary, The Prince of Nothingwood, is Salim Shaheen, the corpulent, larger than life writer, director, actor and all round star, the kind of man who, if allowed the opportunity, would take centre stage in the life of the person standing next to him. Roger Corman meets Ed...

Film Review: Mountains May Depart

There is an inescapable sadness that runs to the core of Mountains May Depart, the new film from director Jia Zhang-ke. It’s ambitious in its plotting, with three sequential narratives set in differing time periods. The first, set in 1999, is the most intriguing, with characters Liang (Liang Jingdong) and Jingsheng (Zhang Yi) vying for the affections of central figure, Tao, played by Jia’s long-term collaborator and wife, Zhao Tao. Liang and Tao are already dating, but Jingsheng is trying...

Film Review: The Dinner

When watching The Dinner, you can imagine the producer shouting during casting, “Get me Richard Gere! Steve Coogan! Laura Linney! The brother from Orange is the New Black!” It is a shame that despite the stellar cast The Dinner possesses, the film completely fails to inject life into a melodrama so overwrought that it falls down on almost every level. It’s is the new film from Israeli-American filmmaker Oren Moverman, and his first since the well-received Time Out of Mind;...

Film Review: Menashe

When you think of Brooklyn, images of trendy shops and fashionably dressed residents probably come to mind. Something akin to Noah Baumbach’s Frances Ha or While We’re Young. Yet, in the same area there are groups of people living very different lifestyles. The Orthodox Jewish community depicted in Menashe may live next door, but the way they go about their daily lives is worlds apart. The film begins with its title character, Menashe (Menashe Lustig), working in a local supermarket....

Film Review: Blades of the Immortal

It is only fitting that Takashi Miike should begin his 100th feature film by saturating the screen in a shower of blood. The prolific Japanese director behind Ichi the Killer, Audition, and perhaps most significantly here, 13 Assassins, has always had an ebullient fondness for flooding his frame with gore, and certainly in terms of its devotion to spewed innards, Blades of the Immortal is more than likely to satisfy Miike’s dedicated fan base; this is a film with plenty...

Film Review: The Disaster Artist

By Anna Power James Franco directs, with genuine affection, his take on the much loved cult classic film The Room, revealing the surreal story of its enigmatic oddball director Tommy Wiseau (played by Franco), and his bromance with lead actor Greg Sestero (Dave Franco) in this dramatic rendering of a behind the scenes - making of “the best worst movie ever made”. Meeting in drama class in San Francisco, where a handsome but cripplingly shy Sestero fumbles his way through...

Film Review: Lu Over the Wall

It has always taken something special for Japanese animations to register with a global audience. Over the years, films like Akira, Ghost in the Shell, and Spirited Away have captured viewer’s hearts across the world. But even though a large number of animes get produced each year, only a couple ever manage this feat. The challenge then for Lu Over the Wall is to see whether it can transcend the tropes of its genre, and reach out beyond the usual...

Film Review: Brigsby Bear

It’ll come as no surprise to many of you that this endearingly gentle if excessively whimsical oddity from ‘The Lonely Island’ crew first debuted at this year’s Sundance Film Festival. With its geeky sensibility towards the creative process, and its cloyingly sentimental exploration of a subject matter that arguably demands a far more emotionally incisive consideration, Brigsby Bear very much feels like a film that has been geared towards the crowds who descend upon Park City every January. Written by...

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