Film Review – Bingo: The King of the Mornings

Bingo: The King of the Mornings is directed by the Oscar-nominated editor, Daniel Rezende, who worked on Meirelles’s City of God and Bingo is his directorial debut and Brazil’s official Academy Awards entry for best foreign film. It is ultimately a redemption drama, based on the true story of the former porn actor Arlindo Barreto, who in the 80s was a huge hit throughout Brazil playing the character of “Bozo”, a clown on Saturday morning children’s TV. Barreto played “Bozo”...

Film Review: Mountain

When you visit a museum that occupies the fields of science or natural history there is often a screening room playing a documentary about the state of the world or showcasing one of the wonders of the world. It is these films that Mountain a documentary, funnily enough, about mountains from Australian film-maker Jennifer Peedom reminded me of. There are some truly stunning images captured by Peedom in Mountain as her camera swoops and soars over the highest peaks in...

Forgotten Film Friday: Tampopo

Dubbed a “ramen western,” Tampopo shares the narrative skeleton of, you guessed, a western. Substitute gun slinging for noodle kneading and you’ve taken a step towards the flavour of Jûzô Itami’s film. But, like a steaming bowl of noodle soup, Tampopo is a film for the soul packed with the kind of hearty warmth that you want to take a bath in. Tampopo (Nobuko Miyamoto) is a single mum who, after the death of her husband, has taken over his...

Film Review: The Prince of Nothingwood

By Michael McNulty Put down the red carpet and welcome onto the world stage, Afghanistan’s man of the hour, or so he’d have you believe.  Sitting at the centre of Sonia Kronlund’s charming documentary, The Prince of Nothingwood, is Salim Shaheen, the corpulent, larger than life writer, director, actor and all round star, the kind of man who, if allowed the opportunity, would take centre stage in the life of the person standing next to him. Roger Corman meets Ed...

Film Review: Mountains May Depart

There is an inescapable sadness that runs to the core of Mountains May Depart, the new film from director Jia Zhang-ke. It’s ambitious in its plotting, with three sequential narratives set in differing time periods. The first, set in 1999, is the most intriguing, with characters Liang (Liang Jingdong) and Jingsheng (Zhang Yi) vying for the affections of central figure, Tao, played by Jia’s long-term collaborator and wife, Zhao Tao. Liang and Tao are already dating, but Jingsheng is trying...

Film Review: The Dinner

When watching The Dinner, you can imagine the producer shouting during casting, “Get me Richard Gere! Steve Coogan! Laura Linney! The brother from Orange is the New Black!” It is a shame that despite the stellar cast The Dinner possesses, the film completely fails to inject life into a melodrama so overwrought that it falls down on almost every level. It’s is the new film from Israeli-American filmmaker Oren Moverman, and his first since the well-received Time Out of Mind;...

Film Review: Menashe

When you think of Brooklyn, images of trendy shops and fashionably dressed residents probably come to mind. Something akin to Noah Baumbach’s Frances Ha or While We’re Young. Yet, in the same area there are groups of people living very different lifestyles. The Orthodox Jewish community depicted in Menashe may live next door, but the way they go about their daily lives is worlds apart. The film begins with its title character, Menashe (Menashe Lustig), working in a local supermarket....

Film Review: Blades of the Immortal

It is only fitting that Takashi Miike should begin his 100th feature film by saturating the screen in a shower of blood. The prolific Japanese director behind Ichi the Killer, Audition, and perhaps most significantly here, 13 Assassins, has always had an ebullient fondness for flooding his frame with gore, and certainly in terms of its devotion to spewed innards, Blades of the Immortal is more than likely to satisfy Miike’s dedicated fan base; this is a film with plenty...

Film Review: The Disaster Artist

By Anna Power James Franco directs, with genuine affection, his take on the much loved cult classic film The Room, revealing the surreal story of its enigmatic oddball director Tommy Wiseau (played by Franco), and his bromance with lead actor Greg Sestero (Dave Franco) in this dramatic rendering of a behind the scenes - making of “the best worst movie ever made”. Meeting in drama class in San Francisco, where a handsome but cripplingly shy Sestero fumbles his way through...

Page 44 of 78 1 43 44 45 78
-->