Film Review: All The Money In The World

Oil tycoon J. Paul Getty was the richest man in the world when his grandson was kidnapped on the streets of Rome in 1973. It is an intriguing episode that serves as inspiration for Ridley Scott’s latest feature, All the Money in the World. The film begins with the kidnapping and quickly details the events leading up to it, showing us how J. Paul Getty (Christopher Plummer) made his riches, as well as the breakdown of his son’s marriage. By...

Film Review: Brad’s Status

The idea of Ben Stiller playing a self-pitying white dude is not a particularly original one, yet here he finds himself once again in this new film by School of Rock writer, Mike White. Essentially a comedy drama, Brad’s Status is a film that yearns to be thought-provoking and rewarding, but how much you buy into this is dependent on how much you care about Ben Stiller’s titular character. Stiller plays Brad Sloan, a 47 year old in the grips...

Film Review: Walk With Me

Marc J. Francis and Max Pugh’s documentary, Walk with Me, sets itself up as if it were to be an exploration of a truly interesting character. A title card introduces Thich Nhát Hanh, an exiled Zen Buddhist Monk from Vietnam, who, having relocated to France, has established the Plum Village Monastery. Instead, the film meanders through a slice of life portraiture of monastic living, while failing to offer the audience anything that feels particularly engaging or insightful. The footage, collected...

Film Review: Renegades

You can almost hear the faint chorus of “America, fuck yeah!” in the background of Steven Quale’s Bosnia-set, Navy SEALs action-adventure romp. Penned (in part) by Luc Besson, Renegades is a mash-up of Team America and Three Kings without any of the cynicism or irony, and played with the same straight faced, “America the Great” determination of Clint Eastwood’s American Sniper. A hardened group of all-American frogmen in Sarajevo, during the Bosnian War, learn from a local barmaid, Lara (Sylvia...

Film Review: Jupiter’s Moon

Perhaps unsurprisingly, refugees and migration have been popular topics with filmmakers in recent years. Indeed, over the last 12 months there have been a number of excellent projects, notably The Other Side of Hope and Human Flow, which have reflected upon the struggles and experiences of migrant travellers. With Jupiter’s Moon, Hungarian director Kornél Mundruczó creatively attempts to add to this discourse. The film opens on the border between Serbia and Hungry, where a number of Syrian refugees are trying...

Film Review: Molly’s Game

Screenwriter Aaron Sorkin has never been particularly interested in fact or historical accuracy, and even though he often builds stories around real life figures, they frequently have little in common with those at the heart of the source material. He has previously turned Facebook creator Mark Zuckerberg from a goofy university drop out into a spiteful and almost sociopathic character, with fans of the film even accepting Zuckerberg’s claims that Sorkin made a lot of it up. With Molly’s Game...

Film Review: Ava

By Simon Columb  Mean, affected by a tragic condition and with a haunting, arresting gaze, Ava is a memorable tale. Directed by Léa Mysius, this debut can meander and lose a little energy, with plot devices dropped by the way side early on, but it has an intriguing focal point in its lead protagonist who is keen to escape her middle-class, yet lonely life. Ava is also a vulnerable and broken 13-year old girl. Bravely portrayed by newcomer Noée Abita...

Film Review: Pitch Perfect 3

Towards the end of Pitch Perfect 3, Brittany Snow’s Chloe declares to her fellow Bellas – without even the vaguest hint of irony – that it’s time for them all to start new chapters and move on with their lives; a conclusion many members of the audience are likely to have already come to some 60-70 minutes earlier. For even if you consider yourself to be a hardcore fan of the Pitch Perfect franchise – and as someone who could...

Film Review: Star Wars – The Last Jedi

Warning: Though this review is spoiler free, the film’s set-up is referenced throughout. “Good guys, bad guys, these are all just words,” says Benicio Del Toro’s inscrutable space-hacker DJ about a third of the way through The Last Jedi; his own allegiances, tellingly, enigmatically blurred between the dark and the light. The Star Wars saga means so many things to so many people, but its narrative and thematic crux has ostensibly been the same since George Lucas first introduced us...

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