Time is strange. To me, 1993 doesn’t feel like it was that long ago. The films I’m watching for this series are often clearly from an era that has passed, but they don’t feel old to me. Until today. In many ways, Dave is the quaintest film I’ve seen for this project, the one most redolent of a bygone era, specifically because of how precisely certain details of it mirror what is happening in the world as I type this....
Horror, as a genre, is steeped in metaphor. Horror can be about politics, sex, disease, but it’s usually - when you get down to the bottom of it - about fears more real and more universal than vampires or zombies. The Dark Half isn’t exactly like that, in fact it may be one of the most straightforward, face value horror films I’ve seen. Based on the novel by Stephen King, the film follows author Thad Beaumont (Timothy Hutton). Thad’s books...
Mental illness has, over the past few years, become more understood and easier to admit to. I’ve suffered with it myself (anxiety and depression) and know many other people who have or had their own struggles with various forms of mental illness. How movies deal with mental illness still often leaves much to be desired, and that was at least as true, if not more so, back in 1993. Benny (Aidan Quinn) and Joon (Mary Stuart Masterson) are brother and...
If you had been watching films as they were released in 1993, there must have been a fairly jarring moment when, within days of each other, The Sandlot and This Boy’s Life were released. As we discussed last week, The Sandlot idealises and romanticises growing up in the America of the early 60s. It’s about growing up over a summer, building a group of friends and overcoming some of the common challenges of being a kid. The subject matter of...
Summer holidays. Six weeks that, when you’re ten or eleven, seem to stretch out endlessly before you. The days are long, there’s no school and often not much to do, so you have to find ways to occupy yourself. For me, that often meant the cinema, or running around in the fields and building dens with my friends and my little brother. For Scotty Smalls (Tom Guiry), a recent transplant to a small town, the summer of 1962 means learning...
High concept was a buzzword in 90s Hollywood, and they don’t get much higher than Indecent Proposal’s. David and Diana (Woody Harrelson and Demi Moore) are high school sweethearts who have been pretty happily married for seven years. Things seem to be going well; she’s in real estate, he’s an architect and they’ve just started building their dream house. Then the recession hits and, down to a borrowed $5000 and with the bank calling in the loan and about to...
I was just the right age (8) when the cartoon series Teenage Mutant Hero Turtles started being shown on British TV (the word ‘ninja’ was removed from the UK version of the show, in one of many hilariously petty incidents of censorship that dogged the franchise on these shores). I quickly became an obsessed fan. I watched the show religiously, I had the toys, I would play Turtles with my friends and my four year old brother, my Mum even...
We film fans often complain about the lack of originality in what the American film industry puts out. One major focus of this irritation tends to be the Americanised remake. At times it can seem like whenever we see an interesting film in a foreign language it is only a matter of time before some studio will come along to reshoot it in English, often while ironing out all the things that made it challenging and interesting - all the...
Sometimes Hollywood accidentally makes the same film twice in a very short space of time. Notable 90s examples include Armageddon and Deep Impact, Volcano and Dante’s Peak. CB4 came to US cinemas just a couple of months after Rusty Cundieff’s Fear of a Black Hat, another rap spoof featuring a documentarian telling the story of an NWA like group, played at Sundance 1993. That film would open in June 1994, but I’ll be referencing it here because the similarities and...
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