Film Reviews

Retrospekt is a drama from director Esther Rots, which comes nearly 10 years after her 2009 debut, Can Go Through Skin. The plot follows, Mette (Circé Lethem) a social worker who specialises in supporting female victims of domestic abuse, and her descent into danger by getting too close to a case she is handling. The action is told through a non-linear narrative that relies heavily on flashbacks and flash-forwards creating the sense that the film is an elaborate but horrifying jigsaw puzzle....

After decades spent in mostly supporting roles, legendry American actor Harry Dean Stanton reminds us of his talents in the low-key but thoughtful Lucky. 30 years on from Paris, Texas, which propelled Stanton to fame, he once again finds himself in the American desert in his final screen role before his death almost exactly a year ago. Known simply by his old nickname Lucky, Stanton plays an elder man at ease with life and comfortable with his daily routine. Each day he...

After a horrific accident at a rodeo competition, Brady Blackburn (Brady Jandreau) must deal with his brain injuries and a life of mediocrity in rural South Dakota. I had the pleasure of speaking with Brady Jandreau prior to seeing The Rider, and it was a relief that director and writer Chloé Zhao was able to bring his humility and authenticity to the screen. Jandreau gives a powerful performance in this dedicated character study, which often so closely reflects his own affinity with...

There are three things that King of Thieves has to figure out before it’s getting a tan in Margate: First, you’ve got a story that most people watching already know the basic facts to, the 2015 Hatton Gardens robbery. An audience knowing the resolutions can sap the drama if you’re not being alert (also not helped by the existence of a previous film about this, 2017's The Hatton Garden Job). Second, the moment the event happened every man and his dog was saying it should...

“This movie is not an autobiography, but a fictional dramatization based on true characters and real events.  Facts and fiction have been mixed.  Scenes, dialogues, emotions, and thoughts of the characters reflect the maker’s imagination and should not be confused with reality.”  So begins Koen Mortier’s latest feature, Angel. Err…excuse me?   This is the truly bizarre start to a film that slips and stumbles its way through its 104-minute runtime.  Koen Mortier, who wrote the script based on the Dimitri...

The title of actress Tuva Novotny’s film alludes to something you can’t see coming, and that’s what happens both to the characters and the audience in this emotionally intense real-time drama. Things start slowly, with 12 year old Tea (Nora Mathea Øien) and her friend Anna (Ellen Heyerdahl Janzon) walking home from handball practice. Along the way they talk about small things; homework, an upcoming exam, girls in their class who wear too much makeup. We’re settling in, we assume,...

From the beginning of American Animals, which opens to the sound of bird song and a quote from Charles Darwin, it is clear that it is interested in weightier themes than the average crime thriller. The film takes place in 2003 and is set in Lexington, Kentucky, where Spencer Reinhard (Barry Keoghan) is an art student. At the University of Transylvania, where Spencer studies, there are a collection of rare books in their library worth an estimated $12 million. He mentions it in passing to his friend Warren Lipka (Evan...

Directed by Corin Hardy, the new instalment in what is now being referred to as the “Conjuring Universe" is a rather stale and scare-free affair that’s only just slightly rescued by its female lead’s incredible screen presence, and remarkable performance. Written by Gary Dauberman (It, Annabelle) from a story by James Wan, The Nun offers more of the same old tropes and hackneyed ideas we’ve come to expected from this hugely lucrative and admittedly very popular franchise, but in the end the film fails to bring anything new to...

Over the past couple of years there has been a growing conversation about representation in film. The Miseducation of Cameron Post isn’t the first coming of age film about an LGBT teen (indeed, it’s enough of a subgenre to have its own established cliches), nor is it the first of those to deal with ‘conversion therapy’ (1999’s But I’m A Cheerleader, also directed by a queer woman, looks at a similar situation with a more comedic eye). It is, however,...