Theatre Review: The Prisoner

The Prisoner’s precise. It’s as perfectly formed as a ripple caused by a stone dropping cleanly into a lake. It’s a play about what punishment should be. It asks who has the right to mete it out, what form it should take and tells us to be wary of impure motives. It focuses on internal reckoning and rubs up abrasively against our western character driven theatrical diet.  Peter Brook and Marie-Hélène Estienne, who have written the text together, make formidable...

Theatre Review: UK debut of Aussie theatrical sensation The Dog / The Cat at The Hope Theatre, Islington

Ben, a depressed boozy writer and park bench hogger meets university lecturer  Miracle as the pair exercise their respective pets in Brendan Cowell’s The Dog. At the close of day, Marcus, Ben’s flatmate, also taking his turn at the dog walking, does his best to pick Miracle up too, although she turns out to be particularly adept at dodging their narcissistic flirtation methods. The park bench becomes a sofa in Lally Katz’s The Cat, the second of these two forty...

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