See London’s famous landmarks in a totally new perspective

Travel company Expedia have partnered with eight of the UK’s most promising young photographers to capture a ‘better perspective’ of London’s most commonly photographed landmarks. The project aims to offer an alternative view of the sites most commonly filling our Instagram feeds, Snapchat stories and Twitter galleries. To see more from the project, click here. Lamarr Golding – Tower Bridge I’m an urban explorer and free-runner, so I see London as a playground. Most people just see skyscrapers and buildings,...

Hockney has wittingly trolled The Sun’s unwitting half-wits

Anybody approaching newsstands for tomorrow's press will be forgiven for thinking the Sun's masthead had been designed by a 5-year-old child. It has, as it happens, been created by acclaimed artist David Hockney, a man who is considered one of the most influential British artists of the 20th century. The prominent 'Sun' wording is mirrored by a schoolboy sun sketch, a stroke of genius by Hockney's account, who said of the opportunity: “I was delighted to be asked. Once I thought...

The Art of the Brick does DC super heroes

Following a successful run in Madrid, The Art of the Brick: DC Super Heroes is set to make its London debut on 1st March 2017. The contemporary art exhibition will be shown in an exclusively built space on London’s South Bank, home to the capital’s cultural quarter. Together with Warner Bros. and DC Entertainment, the well-known and celebrated artist Nathan Sawaya has created the world’s largest collection of artwork inspired by DC's Justice League, including Batman, Superman, Wonder Woman, alongside...

From elitism to engaging, how the art industry is evolving in the digital age

The art traders report last year revealed that nearly half of online art buyers plan to purchase more art and collectibles online this year. With online art sales reaching $3.27 billion (£2.62 billion) in 2015, and nearly a quarter of millennials surveyed saying they bought art online for the first time, is the art world finally dropping the elitist act? The rise in online art collectors hasn’t come out of thin air, top art galleries that you wouldn’t walk into...

Theatre Review: Years of Sunlight, Theatre 503

There’s plenty of drama in Michael McLean’s Years of Sunlight about friendship and the exodus of Liverpudlians living in 1960s slums to new purpose built town Skelmersdale, but Mark Rice-Oxley’s Paul, best friend of parent-less Emlyn, is directed by Amelia Sears to stand as still as one of Anthony Gormley’s iron men statues on Merseyside’s Crosby Beach at the top of the play. Basked in Joshua Pharo’s Rothko-esque very northern feeling like light, Polly Sullivan’s molten stage and landscape is...

Theatre Review: Escaped Alone, Royal Court

Critic Mark Shenton wrote of the 2016 Escaped Alone production, now back at the Royal Court for a second run that he wouldn’t be surprised “if we woke to headlines today that described exactly what she'd foretold.” The play by Caryl Churchill premiered before the UK left the EU, a little before all the anger at Europe’s response to the Refugee Crisis and before we had an unelected Prime Minister who seems to enjoy holding hands with Donald Trump as...

Theatre Review: Us/Them, National Theatre

The Beslan School Massacre in Russia began on September 1st 2004 and lasted for three days before special forces brought it to an end. Of the 1,100 hostages held by the Chechen rebels, around 385 were killed, 186 of them children. Us/Them is a physical theatre response by playwright Carly Wijs and features two protagonists, a boy and girl, who interweave around the audience a web of their very different imaginary accounts of what it was and may have been...

Theatre Review: The Lower Depths, Arcola Theatre

This production directed by Helena Kaut-Howson and translated by Jeremy Brooks and Kitty Hunter-Blair really is in the anguished lows as it opens the Arcola’s commemorative Russian Revolution season. It’s Maxim Gorky’s best known play, heralds the birth of theatrical social realism, made his name in 1902 but was lambasted by the critics then for its rather despairing and unredemptive avant-garde portrait of those who occupy the “lower depths” of society. Akira Kurosawa made a Japanese version of the play...

Theatre Review: Wish List, Royal Court Theatre

Overwhelming problems face Tamsin in Katherine Soper’s debut Bruntwood Prize winning 2015 play. Her younger brother Dean has Obsessive Compulsive Disorder and cannot leave the house. Even so his benefits are being disputed and are at risk. The only place Tamsin, lacking in qualifications, can find much needed work, is in a post industrial “fulfilment centre” aka a packing warehouse on a zero hours contract. The stresses are many: Tamsin must meet her “targets” in order to be asked back...

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