Review by Leslie Byron Pitt/@Afrofilmviewer Magnus von Horn’s frosty debut feature; The Here After, has the lead; John (Ulrik Munther), looking to start anew after serving two years in prison for a violent crime. What occurred is revealed slowly in muted detail. We know enough to understand what happened, but...
Review by Leslie Byron Pitt/@Afrofilmviewer It’s a good guess that the Now You See Me franchise will be the closest thing the younger set of Millennials will get to an Ocean Eleven series. They have the same amount of gloss and slick pizzazz you’d expect from something from Soderbergh's trio...
Review by Michael McNulty John Hillcoat’s newest film, Triple 9 is a tense corrupt cop, crime thriller, with a star lineup that’s hard to rival. Sure, the plot is shakier than the camerawork on Cloverfield, packed with genre clichés, predictable plot points, and one of Kate Winslet’s most questionable performances...
Review by Leslie Byron Pitt/@Afrofilmviewer Burr Steers’ (Igby Goes Down) Pride and Prejudice and Zombies, much like a particular brand of wood varnish, delivers exactly what is said on the tin. This film is based on Jane Austen’s seminal novel and features the undead. A drab way to start this...
Review by Leslie Byron Pitt/@Afrofilmviewer As we are seemingly embarking on a more skeptical and paranoid, right-leaning era, it's more than a little disheartening that Trumbo pulls it's lefty punches and holds no real political relevancy. Whether this is partly due to the film being made way before the feverish...
Review by Ben Holliday After a two-week hiatus, Preacher makes an explosive return to our screens with Episode 2 exclusively on Amazon Prime Video in the UK. Similarly, to the first episode, this was a slow burner, tentatively building the suspense surrounding our main cast of characters. However, episode 2 makes...
Review by Leslie Byron Pitt Gabriel Ripstein’s minimalist 600 Miles has a naïve, young gun runner (Kristyan Ferrer) deciding that the best thing to do with an injured ATF agent (Tim Roth) is to take him hostage. It’s a novice mistake and one that many could only see happening in...
Review by Ben New There are two basic types of proper rubbish films; ones that know they are rubbish and ones that don’t. The perfect example of the latter would be Tommy Wiseau’s The Room which, although could be described as the Kruger-Dunning effect 24 times a second, becomes almost...
Review By Michael McNulty You may find it difficult to decide how to feel about Youth, Paolo Sorrentino’s most recent cinematic offering. Set in a luxury spa hotel in the Swiss Alps, the film has a quiet melancholy about it with an undercurrent of comedy flowing beneath the surface. Youth’s...