By Ben New @squareleg A man wakes up, his alarm didn’t go off. He moves to the kitchen, the taps aren’t working. A glance out the window to a neighboring block reveals someone banging at a window, calling for help. We try to leave and the door is glued shut...

By Miranda Schiller @mirandadadada How to Change the World looks back on the early days of Greenpeace, when the organisation was a small, motley crew of environmental activists from Vancouver. With a keen eye for opportunities to generate media attention, they brought a common cause to the emerging environmental movement:...

By Michael McNulty An intense, thrilling piece of frontline film-making. Cartel Land’s in the thick of it, run and gun, handheld cinematography is enough to enjoy on its own. The film opens in the middle of the Mexican desert in the dead of the night as a group of cartel...

By Miranda Schiller @mirandadadada Paula Bélier is the 17-old-daughter of a cheese farming family in rural France. Early in the morning, she and her younger brother help on the farm, before she cycles to the village to get on the bus that takes her to school in the nearest town....

By Ellery Nick @Ellery_Nick Director Anton Corbijn takes us back to 1950s Los Angeles where a photographer is pursuing a debutante actor on the cusp of stardom. With a little luck that golden quiffed kid might just be his ticket away from snapping starlets on red carpets and back to...

By Stephen Mayne @finalreel So often in 45 Years a crescendo beckons, and just as often Andrew Haigh steps nimbly away. His third feature, a superb achievement, is far too accomplished a creation to sully the relationship at the heart of proceedings with something as crass as a blunt emotional...

By Leslie Byron Pitt The more you consider the bizarre tale of The Wolfpack, that harder it is for you to bend your head fully round it. The documentary about seven siblings, homeschooled and confined in their Lower East Side Manhattan apartment, away from the waking world by their father,...

By Stephen Mayne @finalreel Has it really been 25 years since maverick Chilean Alejandro Jodorowsky last released a film? Such is his ability to burn surreal imagery permanently into my memory, it’s hard to believe he’s been absent for so long. Not that he’s been resting on his laurels of...

By Stephen Mayne @finalreel It takes something a little bit out there to reveal how crushingly conventional so much of what we watch is. We all love the familiarity that comes with genre of course, and conventions often become conventions because they’re simply the best damn way of doing something,...